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Thanks to Jim Halterman for snagging this interview with Julie Plec in preparation for next week’s episode. They discuss Tyler’s transformation, a new character heading to Mystic Falls and here she sheds some light on Klaus.

JH:  Everybody has been buzzing about casting for still-unseen-but-much-talked-about Klaus. Anything to share?

JP: Nothing to share but it’s been fun reading everyone’s casting suggestions. I think Kevin and I would feel very excited if we could discover a fresh, new face but we haven’t  even started yet so it will be interesting to see how that plays out.

JH:  Do we know when Klaus will finally appear on the show?

JP:  No, no. The mystery of when we are going to meet him for the first time will be on-going. I think on the casting side it said a specific episode but that was just procedural. That has nothing to do with reality.

Read the rest of this interview over at Jim Halterman.

LA Times Showtracker‘s Vlada Gelman, (@stayingin) gets Julie Plec to offer up six teasers, some of which will surface in the next couple of episodes, and a few to get us through the upcoming holiday hiatus. Here in particular, she shares some info on the Jeremy/Bonnie/Luka triangle.

Pick your love triangle: Tyler, Caroline and Matt aren’t the only complicated love triangle in town. “We’ve kind of set a lot of these little triangles in motion,” says Plec. “So the next episode…really gets us deep into all the triangles in the show.”

Even though Bonnie (Katerina Graham) bonded with warlock Luka (Bryton James) in the last episode and forgot all about Jeremy (Steven R. McQueen), don’t count him out just yet. Elena’s (Nina Dobrev) little brother Jeremy will continue to step up and come into his own. “Jeremy kind of does something in the next week episode to let his feelings be known in a very dramatic and risky way,” says Plec, adding, “His actions make his feelings clear.”

Read the rest of the teasers over at LA Times Showtracker!

Twitter and the web is all a buzz this evening about a potential Vampire Diaries Companion series in “ultra” early stages of development. E!Online‘s Kristin Dos Santos, Deadline and THR all reporting the news!

Via Deadline:

Vampire Diaries co-creator/ executive producer Kevin Williamson is working on a new supernatural drama project, envisioned as a potential companion for the CW’s flagship vampire drama. The untitled project, which is in early stages of development at Warner Bros. TV for the CW, is described as “The X-Files meets Buffy the Vampire Slayer.” It focuses on a group of people who investigate paranormal happenings. I hear that that Williamson’s fellow Vampire Diaries co-creator/executive producer Julie Plec is in talks to come onboard and co-write the project with him.

This sounds really interesting. I’m very excited to hear more information about this potential project! What are you guys thinking? Sounds off in the comments!

It seems such a long time ago, doesn’t it. That moment when – after staying with Stefan that first night – Elena wanders across to her boyfriend’s bedroom table and sees a faded, yellowing photograph of a girl identical, sitting there staring back at her with a dark but almost Mona Lisa smile. Indeed, for a long time, Katherine Pierce wafted like a heady but undiscernible perfume at the edges of what used to be this one main story: about a girl, and the two opposing supernatural brothers who loved her.

A world where Tyler Lockwood was still just a jock with a temper problem, Caroline Forbes was just another shallow beauty queen in waiting, and Elena Gilbert was just another human girl dealing with the pressures of life in love with a tortured vampire.

In Katherine’s case, we spent that season being teased mercilessly by the writers about exactly where, when and how she was going to emerge from the murky past to wreak her own particular brand of havoc. And when she finally did, her sheer heartless, conniving viciousness took our collective breath away like a hurricane. From the moment Nina Dobrev stepped into the doppelganger’s shoes, we knew she would be as evil as she was spectacular. (As an aside, I believe this whole second series could simply be re-named ‘Proof That Nina Dobrev Deserves An Emmy or Ten’ and I don’t reckon you’d find many people arguing. Cause wow. Girl, you are BLAZING.)

As such, I don’t know about you, but between Aimee Bradley getting her guts rearranged on the dance floor and Uncle John meeting his own end at the end of a carving knife, there has never been a moment for me where I was able to look at Katherine as a character, and wonder if there was as yet, still, a shred of humanity left somewhere inside her.

Until now. (more…)

Lots of scoopage in this interview with Julie Plec from EW from tonight’s episode and episodes to come. Makes me even more excited for this episode tonight!

We finally learn about Katherine’s diabolical master plan. “After nine episodes of that question — ‘What are you doing back in town? What is it that you want? Why are you here?’ — finally, she explains herself,” Plec says. “We are incredibly proud of this episode, mostly because the work Nina Dobrev does is unbelievable. She plays Katherine as a human in Bulgaria with a Bulgarian accent, she plays human Katherine pretending to be English in the English countryside, she plays Katherine as a vampire in present day, she plays Elena. And a good portion of the episode is Elena and Katherine having a conversation, so she’s essentially acting opposite nothing, a stand-in or air. This is her episode to shine.”

Read the rest of the interview at EW!

This episode marked a turning point in both plotlines and mythology for the show, and the swift and somewhat brutal introduction of three new characters – two in particular – has seen the mystery bar raised yet again to another echelon. I’ve stopped asking myself how they do that, and have now embraced the fact that they just can; kind of like when you’re watching a contortionist fit their entire body through the frame of an unstrung tennis racquet, there really does come a point when you stop asking questions about the how’s and just stick with the WHYS.

With that in mind, here’s my take on the moments that made us all sit up and yell WHAT THE FREAKING SALVATORE at our televisions.

And You Thought YOU Were Having A Bad Day

Elena Gilbert is having a rough 24 hours.

She’s been vicariously stabbed and beaten via a curse (saved only by some quick thinking and a conveniently magic-enabled best friend nearby) and is still smarting from breaking up with her one true love. I’ll be honest here: if I were the human girl who’d just broken up with Stefan Salvatore, I’d be reaching for my PJ’s, a fluffy pillow to cry into and a tub of Haagen-Dazs the size of a nine year old faster than you can say DASHING.

But hey! Don’t just ask her how crap a day she’s dealing with: ask the boyfriend she refused to get back together with; the brother of her boyfriend who is also completely and unrequitedly in love with her, or any number of her nearest and dearest who’ve just spent the night before plotting to kill her Queen of All Evil twin with giant stake guns and tombs spells.

Or, as of this episode, you could likewise ask the mysterious man in the mask who abducted her so suddenly from the Lockwood estate after the Masquerade party.

It’s broad daylight as his car pulls up into an empty field in the middle of nowhere; empty, save for the 4WD with black windows parked out in it, presumably waiting to do a swap. The window of the driver side of the 4WD lowers just enough to reveal a pair of black shaded eyes, revealing two things: a) it is a vampire who organised for Elena to be abducted, and b) that the kidnapper is actually just an average Joe: another quite visibly compelled guy doing the bidding of yet another vampire.

I don’t know about you, but at this point I couldn’t help but think about how compulsion – for all it’s convenience, and save for the few truly noble times we’ve seen it done to a human – really was being used by an awful lot of vampires to make good people do some very bad things, often with rather deadly consequences.

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Check out TV Guide’s Keck’s Exclusives “first look” from The Vampire Diaries flashback episode 2.09 “Katerina”, where we will find out how Katherine became a vampire back in 1492. Julie Plec also confirms that the December 9th episode will definitely lead us into the holiday hiatus, and we’ll see Tyler’s transformation. Thanks to @tvdnews for the heads up.

“We find out how she became a vampire and what led her to become the person she is today — a selfish, maniacal woman who only looks out for herself,” says Nina, who was born in Bulgaria and speaks Katherine’s native tongue. How she’s turned is a big secret, as is the identity of a new menace we’ll meet from the same era, who will journey to present-day Mystic Falls.

Read the rest of the article.

(Screencap Credit: Vampire Diaries Web)

For the record, this is will be an epically massive recap. Just so’s you know. My apologies for that…

With television – like most things in life – as much as you’d like to think otherwise, you can only ever prepare for what you think is going to happen. When it came to this episode – our first one back after that hideous lapse in viewing networks call a hiatus – this is exactly what I did.

Stupidly.

In reality, I really should have known better.

In quite possibly the most compelling episode to date, there were a number of twists in Plan B that even the most clairvoyant of viewers would have had a crazy hard time emotionally surviving, let alone predicting.

And so it was that we were reminded of that most epic of contributing factors that makes this show great: the creative prowess of Julie Plec & Kevin Williamson, and their innate ability to leave you feeling like you’ve had your heart pulled out of your nose, by pulling a plot stunt (or ten) so wild, so breathtaking, that you get to the end of it wondering how on earth you aren’t dead.

With that in mind, here’s my take on the moments that had us all put our fingers on the speed dial for a paramedic for one reason or another, just in case.

Did It Just Get Hotter In Here?: Making Out For Lost Time

Romantically speaking, the Stefan versus Katherine element of this season is as much about love versus lust as it is about revenge. Not content to tease us all with scenes fraught with more sexual tension than Twilight and True Blood put together, the episode opened with a smack between the eyes view of the private lives of these two former lovers.

Stefan and Elena wake up together in her bed, still caught up in the mildly delicious nature of their secret encounters with each other under the guise of their belief that they have fooled Katherine into thinking they’ve split.

But more importantly, it’s clear that they are as utterly in love with- and soul-bound to each other than ever. The happy but edgy intensity of their relationship can’t help but shine through their frustration at the Katherine dilemma…shining through loud enough for Aunt Jenna to get a bit of an earful a couple rooms down first thing in the morning, as she reveals to Stefan later.

Elsewhere at a little bed & breakfast nearby, Mason and Katherine are spending the same morning nigh on about to devour each other. Their passion is different to Stefan & Elena’s: it’s wild, heady and if we’re being honest, even a bit violent, but for all Mason’s alpha male tendencies it’s clear from the outset that it’s very much Katherine who’s dictating the terms of their relationship.

Either way, oh my stars.

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